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Maury Yeston (Composer) is an American composer and lyricist educated at Yale and Clare College, Cambridge. Yeston knew from a young age that he wanted to write music for the stage after his mother took him to see a production of My Fair Lady when he was 10. While in the graduate music program at Yale, Yeston was simultaneously enrolled in the BMI Lehman Engel Musical Theater Workshop in New York City where he and other aspiring composer/lyricists such as Alan Menken and Ed Kleban got exposure in front of Broadway producers and directors. He was a member of the Yale faculty for eight years, where he was Director of Undergraduate Studies in Music and published two of his books with Yale University Press -- The Stratification of Musical Rhythm and Readings in Schenker Analysis. He is best known for his stage musicals, which include: Broadway: Nine (1982, revived 2003), Grand Hotel (1989), Titanic (1997); Off-Broadway: Cloud 9, In the Beginning, "Goya, a Life in Song"; National Tour: Phantom. Mr. Yeston is the winner of the Tony Award for Best Original Score in 1982 (Nine), and 1997 (Titanic), a nominee for the Tony Award for Best Original Score in 1990 (Grand Hotel) and a nominee for the Drama Desk Awards for Outstanding Music and Outstanding Lyrics in 1990 (Grand Hotel)

Ray Fellman (Musical Director) is excited to be returning to the Fulton after last summer's Les Misérables and several performances with the Cabaret Series. Ray divides his time between NYC and Bloomington, Indiana where he is a Professor at Indiana University. In New York, M.D. credits include: Stephen Schwartz's Captain Louie (Little Schubert Theater); The Tutor by Gerle/Wood (59 E 59); Blood Drive by Shenkin/Derfner, Iron Curtain by Weiner/Mills (O'Neill Center Musical Theater Conference); A Room with a View (workshop, York Theater); John and Jen (Laurie Beechman Theatre); .22 Caliber Mouth dir. Diane Paulis (Ohio Theater). Pianist/arranger--Les Misérables contribution to the B'way Cares Equity Fights Aids 2007 Easter Bonnet Competition (Minskoff Theater) w/Tess Adams and Anne Runolfsson; M.D. 2007 Manhattan Association of Cabarets & Clubs Awards at B. B. King's. 2007 Backstage Magazine Bistro Award for musical direction of The After Party, hosted by Brandon Cutrell, featuring Broadway's finest every Friday night at the Laurie Beechman Theatre on 42nd Street. Thanks to Marc, Aaron, Cast and Crew. Love to my family and Scott.

Robert Klingelhoefer (Scenic Designer) Mr. Klingelhoefer has designed over 100 productions at the Fulton since 1987. He also continues to teach set design at West Virginia University where he is also the Director of the Design & Technology Program. This summer he designed the repertory of the Contemporary American Theatre Festival in Shepherdstown, WV for the third season including new works this year by Eisa Davis, Beau Willimon, Steven Deitz, and Michael Weller. Past work includes the World Premiere of the Brecht/Milhaud version of Mother Courage and Her Children, and the New York Premiere of Nobel Prize poet Seamus Heaney's The Cure at Troy for the Jean Cocteau Repertory Theatre, in New York, where formerly he was also Resident Designer. For Pan Asian Repertory Theatre, in New York, Mr. Klingelhoefer designed 11 productions including Cambodia Agonistes which, in addition to many US performances, toured to the International Festival of Experimental Theatre in Cairo, Egypt and to the Market Theatre in South Africa. His work has been widely seen regionally for companies including the Capital Repertory Theatre, Asolo Theatre Co., O'Neill Theatre Center, The Cricket Theatre, and The Texas Shakespeare Festival.

Jeff Hendry (Costume Designer)

Paul Black (Lighting Designer) Paul is excited to be back at the Fulton which he has come to call his second home. Some of his previous lighting designs include the most recent Cat on a Hot Tin Roof, Driving Miss Daisy, Annie, Les Misérables, The Spitfire Grill, Oklahoma!, Brigadoon, Treasure Island, Fiddler on the Roof, West Side Story, Oliver!, Dracula: Lord of the Undead, Crazy for You, The Irish...and How They Got That Way, Into the Woods, The Secret Garden, Seussical, Hot Mikado, and Joseph and the Amazing Technicolor Dreamcoat. Regionally he just designed Hairspray at the Walnut Theater in Philadelphia. When not in Pennsylvania, Paul works as a freelance designer living in Phoenix, Arizona. There, he has designed for the Arizona Theatre Co., Actors Theatre of Phoenix, Phoenix Theatre and Childsplay Inc. Other theatres Paul has designed for are the Music Theatre of Santa Barbara, American Stage in Florida, Carousel Dinner Theatre and the national tour of Tea at Five with Kate Mulgrew. As a guest artist Paul has lectured at Arizona State University, University of Arizona, Cornell College, Viterbo University, and Wichita State University. When not designing lights, Paul is co-executive of P2Design, a production company. Much thanks to Ellen and Bob for all of their hospitality and support over the years.

David C. Temby (Sound Designer) has created sound systems and designs for many productions, a talent he developed after discovering that there wasn't much demand for a color-blind lighting designer. David has designed productions and systems for Phoenix Theatre, Childsplay Theater, Actors Theatre of Phoenix, Arizona State University, the City of Phoenix, the White House Communications Agency, Coca-Cola, IBM, CNN, and the United States Air Force. He is also the General Manager for Clearwing Productions Arizona, a company that provides sound & lighting systems, designs, and production management for concerts, corporate shows, theatrical shows, and special events. David makes his home in Phoenix, Arizona with his loving wife, Jenifer.

Anthony Lascoskie, Jr. (Make-up and Wig Designer) Before joining the Fulton, Anthony managed the Millersville Costume Shop. Anthony has designed costumes and wigs for local theatres as well as private clients. His favorites include La Cage aux Folles, The Rocky Horror Show and working on the hair for Taffetas, Joyful Noise, Seussical and Enchanted April. Besides being the resident make-up and wig designer, Anthony also manages the costume shop for the Fulton. He is excited to have the Fulton's extensive costume collection open to the public.

Timothy Markus (Assistant Stage Manager) is thrilled to be working at the Fulton for the first time. Other Credits include the international tour of Porgy and Bess. Walnut Street Theatre: Les Misérables, The Odd Couple, The Price, Peter Pan. The Guthrie Theater: Shadowlands. Surflight Theatre: Ragtime, Little Shop of Horrors, Aida, 1940's Radio Hour, Thoroughly Modern Millie, Kimmel Center: The Irish and How They Got That Way.

Anne M. Jude (Assistant Stage Manager) Anne is thrilled to now officially call Lancaster "home" after spending the last few years exploring the country, working at the Phoenix Opera, Goodspeed Opera House, Walnut Street Theatre, Maine State Music Theatre, Commonweal Theatre and the Theater at Monmouth. Originally from Minnesota, she received her BFA in Arts Administration from Viterbo University. Proud member of Actors' Equity. Many thanks to Marc & Ryan. Love to Joe and the Fam! For Mom, always.

Ryan B. Gibbs (Stage Manager) is thrilled to return to the Fulton. Ryan has served as the Production Stage Manager for the national tours of Avenue Q, The Drowsy Chaperone, Man of La Mancha and Rent. Recent directing projects include Songs for a New World at the Becket Theatre in New York. Additionally Ryan has worked as a Company Manager, Production Manager and Lighting Designer. Previous Companies include; Spotlight ON Festivals, Forestburgh Playhouse, NETworks Presentations, Phoenix Productions, Allenberry Playhouse and the Dutch Apple Dinner Theatre, to name a few. Originally from York County, Ryan now calls New York Home but is thrilled to come back to where he grew up. Thanks to everyone at the Fulton to having me back and love and thanks to Mom, Sarah and Amy.